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The Namesake, by Jhumpa Lahiri
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Jhumpa Lahiri’s Interpreter of Maladies established this young writer as one the most brilliant of her generation. In The Namesake, Lahiri enriches the themes that made her collection an international bestseller: the immigrant experience, the clash of cultures, the conflicts of assimilation, and, most poignantly, the tangled ties between generations.
The Namesake takes the Ganguli family from their tradition-bound life in Calcutta through their fraught transformation into Americans. On the heels of their arranged marriage, Ashoke and Ashima Ganguli settle together in Cambridge, Massachusetts. An engineer by training, Ashoke adapts far less warily than his wife, who resists all things American and pines for her family. When their son is born, the task of naming him betrays the vexed results of bringing old ways to the new world. Named for a Russian writer by his Indian parents, Gogol Ganguli knows only that he suffers the burden of his heritage as well as his odd, antic name.
Lahiri brings great empathy to Gogol as he stumbles along a first-generation path strewn with conflicting loyalties, comic detours, and wrenching love affairs. With penetrating insight, she reveals not only the defining power of the names and expectations bestowed upon us by our parents, but also the means by which we slowly, sometimes painfully, come to define ourselves.
- Sales Rank: #1110642 in Books
- Published on: 2008-10-10
- Original language: English
- Number of items: 1
- Binding: Library Binding
- 291 pages
Amazon.com Review
Any talk of The Namesake--Jhumpa Lahiri's follow-up to her Pulitzer Prize-winning debut, Interpreter of Maladies--must begin with a name: Gogol Ganguli. Born to an Indian academic and his wife, Gogol is afflicted from birth with a name that is neither Indian nor American nor even really a first name at all. He is given the name by his father who, before he came to America to study at MIT, was almost killed in a train wreck in India. Rescuers caught sight of the volume of Nikolai Gogol's short stories that he held, and hauled him from the train. Ashoke gives his American-born son the name as a kind of placeholder, and the awkward thing sticks.
Awkwardness is Gogol's birthright. He grows up a bright American boy, goes to Yale, has pretty girlfriends, becomes a successful architect, but like many second-generation immigrants, he can never quite find his place in the world. There's a lovely section where he dates a wealthy, cultured young Manhattan woman who lives with her charming parents. They fold Gogol into their easy, elegant life, but even here he can find no peace and he breaks off the relationship. His mother finally sets him up on a blind date with the daughter of a Bengali friend, and Gogol thinks he has found his match. Moushumi, like Gogol, is at odds with the Indian-American world she inhabits. She has found, however, a circuitous escape: "At Brown, her rebellion had been academic ... she'd pursued a double major in French. Immersing herself in a third language, a third culture, had been her refuge--she approached French, unlike things American or Indian, without guilt, or misgiving, or expectation of any kind." Lahiri documents these quiet rebellions and random longings with great sensitivity. There's no cleverness or showing-off in The Namesake, just beautifully confident storytelling. Gogol's story is neither comedy nor tragedy; it's simply that ordinary, hard-to-get-down-on-paper commodity: real life. --Claire Dederer
From Publishers Weekly
One of the most anticipated books of the year, Lahiri's first novel (after 1999's Pulitzer Prize-winning Interpreter of Maladies) amounts to less than the sum of its parts. Hopscotching across 25 years, it begins when newlyweds Ashoke and Ashima Ganguli emigrate to Cambridge, Mass., in 1968, where Ashima immediately gives birth to a son, Gogol-a pet name that becomes permanent when his formal name, traditionally bestowed by the maternal grandmother, is posted in a letter from India, but lost in transit. Ashoke becomes a professor of engineering, but Ashima has a harder time assimilating, unwilling to give up her ties to India. A leap ahead to the '80s finds the teenage Gogol ashamed of his Indian heritage and his unusual name, which he sheds as he moves on to college at Yale and graduate school at Columbia, legally changing it to Nikhil. In one of the most telling chapters, Gogol moves into the home of a family of wealthy Manhattan WASPs and is initiated into a lifestyle idealized in Ralph Lauren ads. Here, Lahiri demonstrates her considerable powers of perception and her ability to convey the discomfort of feeling "other" in a world many would aspire to inhabit. After the death of Gogol's father interrupts this interlude, Lahiri again jumps ahead a year, quickly moving Gogol into marriage, divorce and a role as a dutiful if a bit guilt-stricken son. This small summary demonstrates what is most flawed about the novel: jarring pacing that leaves too many emotional voids between chapters. Lahiri offers a number of beautiful and moving tableaus, but these fail to coalesce into something more than a modest family saga. By any other writer, this would be hailed as a promising debut, but it fails to clear the exceedingly high bar set by her previous work.
Copyright 2003 Reed Business Information, Inc.
From School Library Journal
Adult/High School-A novel about assimilation and generational differences. Gogol is so named because his father believes that sitting up in a sleeping car reading Nikolai Gogol's "The Overcoat" saved him when the train he was on derailed and most passengers perished. After his arranged marriage, the man and his wife leave India for America, where he eventually becomes a professor. They adopt American ways, yet all of their friends are Bengalis. But for young Gogol and his sister, Boston is home, and trips to Calcutta to visit relatives are voyages to a foreign land. He finds his strange name a constant irritant, and eventually he changes it to Nikhil. When he is a senior at Yale, his father finally tells him the story of his name. Moving to New York to work as an architect, he meets Maxine, his first real love, but they separate after his father dies. Later, his mother reintroduces him to a Bengali woman, and they fall in love and marry, but their union does not last. The tale comes full circle when the protagonist, home for a Bengali Christmas, rediscovers his father's gift of Gogol's short stories. This novel will attract not just teens of other cultures, but also readers struggling with the challenges of growing up and tugging at family ties.
Molly Connally, Chantilly Regional Library, VA
Copyright 2003 Reed Business Information, Inc.
Most helpful customer reviews
1 of 1 people found the following review helpful.
It's all in the details
By J Greene.
This is quite an ordinary story of a young man struggling to find his identity, conflicted by his mixed heritage and unable to fit into his own name. What makes it exceptional is the delightful sensitivity of the description of his journey. We follow him through his boyhood, his education, his series of affairs, the loss of his father and his lovers -- nothing remarkable except for the telling. The subtle colors and textures that are woven through Lahiri's prose bring this story to life. It's not a page turner, not to be taken as a succession of tequila shots, but rather to be sipped and savored like fine wine. I'm still enjoying the aftertaste.
3 of 3 people found the following review helpful.
A gentle read
By Book Club Fan
It's easy to move through this story, carried along by the characters. I gave this one only 3stars because I felt too much as if I were merely reading about the characters instead of truly learning about them and how the events of the many decades covered in this book actually impact each individually and collectively, events that should have made me cry merely stacked up with everything else. I never got inside the heart and mind of anyone, which is an essential component of my favorite books.
0 of 0 people found the following review helpful.
what's in a name?
By M. Benton
I gave this book three stars although I highly recommend it. Basically it the story of identity and coming of age. Gogol grows up with a name foreign to him until he can change it to something that better suits him, Nihkil. As Nihkil he goes through college, grad school, has relationships and even marries but the other name is always hanging. Gogol is American but his parents came from Calcutta. He struggles with traditions and culture that feel foreign to him including his parents whom he tolerates. It's hard to tell where this novel took its turn but it seem to wrap up too quickly given the questioning and self doubts Nikkil experiences. The reader is left with the lingering question, "Is that all there is? as if something is amiss and needs further investigation. Regardless it is a smooth read and well told. The author also wrote The Lowlands, an engrossing story of India and the northeast US.
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